Yeah, the Chinese restaurant skit is a little dicey, but on the whole, The Score balances intelligence and accessibility with an easy assurance, and ranks as one of the most distinctive hip-hop albums of its era. Their protest tracks are often biting, yet tempered with pathos and humanity, whether theyre attacking racial profiling among police (The Beast), the insecurity behind violent posturing (Cowboys), or the inability of many black people in the Western Hemisphere to trace their familial roots (Family Business). Their strong fondness for smooth soul and reggae is underscored by the two hit covers given slight hip-hop makeovers (Roberta Flacks Killing Me Softly With His Song and Bob Marleys No Woman, No Cry). Not just a collection of individual talents, the Fugees three MCs all share a crackling chemistry and a wide-ranging taste in music. It not only catapulted the Fugees into stardom, but also launched the productive solo careers of Wyclef Jean and Lauryn Hill, the latter of whom already ranks as one of the top female MCs of all time based on her work here. The Scores eclecticism, social consciousness, and pop smarts drew millions of latent hip-hop listeners back into the fold, showing just how much the music had grown up.
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